The movie Tees Maar Khan is about a great criminal born who is fearless as well as shameless. He is the blue moon and is named as Tees Maar Khan.
He steals cons and cheats all with such alarming bravery that even shame shies away from him. He along with his gang deals with Dollar, Soda and Burger have managed to keep the police, world over, on their toes.
Then one fine day international antique smugglers, the Johri Brothers, assign Tees Maar Khan the biggest con job in life! He must rob antiques worth 500 crore rupees from a heavily guarded moving train.
Will Khan and his believed gang, with some unwitting support from his wannabe-actress girlfriend, Anya, and a greedy Bollywood superstar be able to pull off the greatest heist in history?
The People v. Leo Frank is a century-old miscarriage of justice that still haunts anyone who knows of it, and will surely disturb viewers introduced to this tragedy in “The People v. Leo Frank,” a powerful retelling that premieres Monday on PBS at 10 p.m. EDT.
The 90-minute film “The People v. Leo Frank” revisits the case of Leo Frank, a young Cornell-educated Brooklyn native who was plant supervisor of the National Pencil Co. in downtown Atlanta that time.
On a Sunday morning in April 1913, the bludgeoned, sexually molested body of Mary Phagan, a 13-year-old factory girl, was found in the building’s filthy basement. Within weeks, Frank, professing innocence, was arrested and charged with her murder after an inept police investigation that turned up no conclusive evidence.
Even so, a northern Jew had emerged as a more compelling suspect than a black man, Jim Conley, who was a janitor at the pencil factory and had plenty to implicate him as the killer. Frank was deemed a Yankee outsider by the local citizenry, while Conley, a man of the South and therefore one of their own by default, became the state’s star witness against Frank.
It was a media sensation. The month long circus-like trial got spectacular treatment from rival newspapers, which helped whip the public into “a degree of frenzy almost inconceivable” (as The Atlanta Journal assessed the local state of mind). Frank was convicted and sentenced to death, and the city overwhelmingly rejoiced.
Then, after two years of appeals (which reached the U.S. Supreme Court), he was shown a bit of mercy by Georgia’s conscience-stricken governor, who abruptly commuted Frank’s sentence to life imprisonment.
This only reinflamed the civic uproar. Less than three months later, two dozen prominent citizens took matters into their own hands. This elite lynch mob removed Frank from the penitentiary where he was serving his life term and hanged him from an oak tree in Atlanta’s neighboring town of Marietta. Thousands came to see: For them, justice had finally been delivered.
In “The People v. Leo Frank,” filmmaker Ben Loeterman has crafted an historical feature documentary that includes the voices of Oney (chief consultant on the project), former Georgia Gov. Roy Barnes, historians, members of the Frank and Phagan families, and “Parade” playwright Alfred Uhry, among others.
The People v. Leo Frank is a century-old miscarriage of justice that still haunts anyone who knows of it, and will surely disturb viewers introduced to this tragedy in “The People v. Leo Frank,” a powerful retelling that premieres Monday on PBS at 10 p.m. EDT.